ART

Under the nom de guerre KAMIKATSE, I unleashed artworks, performances, and digital mutterings—mostly between 2004 and 2016. Ten years of cryptoeconomic obsession later, I stumble back into the messy, beautiful chaos of art.

The split between “art” and “crypto” is an external fiction; inside my skull, it’s all the same noise, all the same creation.

For me, art is making something from nothing. Launching BlockchainHub in Berlin or the Research Institute for Cryptoeconomics in Vienna, writing three editions of Token Economy, reclaiming a ruined farm in Portugal are all gestures of the same alchemy.

Below lies a gallery of digital echoes, non-hash-committed, wandering the Web2, old school, no NFTs.